Our mission at The Road Gallery is to showcase the work of talented emerging and established artists and to make their work accessible to people who love art and who want a positive experience buying art.  One of the ways we are achieving this goal is through our new initiative, The 500 Project, which will be launching in a couple of weeks, in plenty of time for the holidays.

The 500 Project is a curated collection of beautiful, original, affordable artworks, all priced under $500.  You will be able to browse the collection and purchase pieces directly through our website.  We have found a number of incredible and inspiring new artists to join The 500 Project and many of our existing artists will be adding pieces to the collection.

Here is a preview of some of the new artists participating in The 500 Project:

Jesse Bell

Jesse M. Bell was born in Marshall, Michigan and received his BA in Visual Arts from Olivet College. Since that time, Bell has been creating work that strives to condense his visual language into two-dimensional imagery. Focusing primarily on the abstraction and interaction of organic shapes in various painting mediums, he employs symbols and detached iconography to create what he refers to as “visual poems”. Bell has shown in numerous group and solo shows throughout the Upper Midwest and currently works and lives in Milwaukee, Wisconsin.

Two Blue Mounds With Yellow Ochre Ellipses #1 (2012) by Jesse Bell

 

Julia Clift

Julia Clift received her BFA in Painting and English Literature from Washington University in St. Louis, and she studied under the painter Odd Nerdrum in both Norway and France. Her paintings and drawings have been exhibited in numerous locations, including Arnot Art Museum, Lore Degenstein Gallery, Wythe Hotel, and the Green Hill Center for Contemporary Art. She currently teaches at Fleisher Art Memorial and Rose Tree Media Academy, and she will begin teaching at Maryland Institute College of Art this Spring. She lives and works in the Philadelphia area.

The Plein Air series featured in The 500 Project are small works painted outdoors in single sessions, lasting several hours at most. Embracing concision, the paintings crystallize Clift’s emotional experiences of the natural world.

Clift_MarshofmyDreamsII
Marsh of My Dreams II (2015) by Julia Clift

 

Michael St. Germain

Michael St. Germain lives and works in Newton, MA. His work has been shown in solo and group exhibitions in New York and Massachusetts. He employs abstraction to create the illusion of reality. His engagement with materials is mediated by Pareidolia: “a psychological phenomenon involving a vague and random stimulus (often an image or sound) being perceived as significant.” His works embody arbitrary rules, accumulation of material and musculoskeletal bias. He values relative experience and unintended aesthetic consequences. He sees artistic potential in literary, sensory and aesthetic misinterpretation. His role, as an artist, is to create and promote an opt-in supplemental reality. This real and imagined “aesthetic hybrid “is affected (and actualized) by each viewers’ emotional climate, susceptibility to illusion and ability to exist in the present moment.

8-2-15
August 2nd (2015) by Michael St. Germain

 

Case Jernigan

Case Jernigan grew up by the ocean in South Carolina. He mapped pathways through the rocks, jetties, and marshes populated by alligators, pelicans and turtles. Living there he felt like an explorer, and those memories of adventure drive his studio practice. He studied at the College of William & Mary and The New York Studio School. He now lives and works in Brooklyn. Jernigan’s work has been show in solo and group exhibitions in New York, South Carolina, Virginia and Connecticut.

He begins with a singular image, a letter, animal, or architectural reference. He’s inspired by old maps, storybooks, and ancient art from Egypt and Greece. Images expand and are held together by maplike notations, threads and clues, such as arrows and stippling dots. Details and directional devices in the work reference those found on a map, board game or illuminated manuscript. Swathes of ink obscure and highlight the graphite and pen imagery as he stress transparency, intensity of color, and personal markmaking.

Pool
Pool (2013) by Case Jernigan

 

Mark Perry

Born in Hawaii, artist Mark Perry now lives and works in Portland, Oregon. He specializes in printmaking, working out of his own studio. He works mainly in etching, relief, collagraph, woodcut, and intaglio methods. He is interested in layering, sequencing, variation, and repetition. Most of his imagery is non-representational with symbolic and recognizable elements involved. All his works featured in The Road Gallery are one of a kind, and all of them are hand printed via a press. Perry has participated in a multitude of shows and exhibitions in Oregon, Hawaii in addition to Louisiana, New York and Connecticut.

Limerance #2 (2011) by Mark Perry

 

Josh M. G. Yates

Born and raised on the English Channel Island of Jersey, Josh M.G. Yates is a mixed-media artist currently living and working in New York City. In 2012 he acquired a BFA in Painting from the Massachusetts College of Art & Design. Feeling the need to inform his practice further, Yates enrolled in the Contemporary Art program at Sotheby’s Institute of Art in London, graduating with an MA in the fall of 2013. His current work is, at the core, an ode to drawn elements which he further manipulates both digitally and traditionally. Though his degree is in painting, he considers line work to be the strongest aspect of his practice, and the use of digital manipulation imparts a feeling of control that becomes a theme maintained throughout the rest of the creative process.

The Self with Monarchs X (1)
The Self with Monarchs X (2015) by Josh M.G. Yates